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Piranesi, Giovanni Battista --- Engraving --- 76.071 --- CDL --- Copper engraving --- Engravings --- Line-engraving --- Siderography --- Steel-engraving --- Graphic arts --- Prints --- Etching --- Piranesi, Giovanni Battista, --- Piranesi, Giambattista --- Piranèse
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Art, Modern --- Painting, Belgian --- Engraving --- Hanselaar, Marcelle,
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Diese Ausgabe enthält mit Leonhard Fronspergers systematischer Kriegsämter-Beschreibung in Versen mit Holzschnitten von Jost Amman ein so gut wie unbekanntes und bisher unediertes kulturhistorisches Denkmal des 16. Jahrhunderts. 1564 hatte der Frankfurter Verleger Sigmund Feyerabend Fronspergers Kriegsbuch in seinen Verlag übernommen und erstmals mit Ammans Holzschnitten ausgestattet. Weitere Ausgaben mit vermehrten Illustrationen folgten nach. Eine Auswahl der in diesen Ausgaben enthaltenen, in Prosa abgefassten Kriegsämter-Beschreibungen benutzte Hans Sachs als Quelle für 45 kurze Verstexte, die mit den zugehörigen Holzschnitten von Amman um 1565 in Feyerabends Verlag als Buch erschienen. In der Nachfolge von Hans Sachs arbeitete Fronsperger selbst eine wesentlich umfangreichere Versbeschreibung der Kriegsämter in 77 Einzeltexten aus, die jeweils 20 Verse umfassen. Diese Versdarstellung zusammen mit Ammans Holzschnitten war vielleicht zunächst als selbständige Publikation geplant, ging aber dann als in sich abgeschlossener Teil in die auf drei Bände erweiterte Ausgabe des Kriegsbuchs von 1573 ein - zusätzlich zu den im ersten Band enthaltenen Prosabeschreibungen. Während Hans Sachs' schmales Kriegsämterbuch heute als verschollen gilt, ist Fronspergers Versdarstellung mit Ammans Holzschnitten in der dreibändigen Ausgabe des Kriegsbuchs erhalten geblieben. In die vorliegende Ausgabe ist außer Fronspergers Kriegsämter-Beschreibungen ein weiterer Verstext aus dem dritten Band der Ausgabe von 1573 aufgenommen, der vermutlich ebenfalls von seiner Hand stammt: Des obersten Generals Vermahnung. Band I enthält nach einer Einleitung die Kriegsämter-Beschreibungen als Faksimile mit Transkription und den Zusatztext, Band II einen Kommentar und einen Wortindex sowie verschiedene Übersichten.
Wood-engraving --- Poetry, Modern --- Wood-cut --- Wood-cutting (Engraving) --- Wood-engravings --- Woodcut --- Woodcutting (Engraving) --- Xylography --- Engraving --- Prints --- Block books --- Block printing --- Poetry --- Fronsperger, Leonhardt, --- Criticism and interpretation.
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Color prints --- Technique. --- Chromoxylography --- Color-etchings --- Painting --- Wood-engraving, Colored --- Engraving --- Prints --- Chromolithography --- Color reproductions
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The book traces major concepts including: the creation of the visual effects of accuracy through careful action and training; the development of visual judgment and connoisseurship; the role of a network in the production of knowledge; balancing readers' expectations with representational conventions; and the effects of acts of collecting on the creation and circulation of knowledge. On the one hand, this study uncovers that approaches to knowledge production were different in the seventeenth century, as compared with in the twenty-first century. On the other, it reveals how the early modern struggle to sort through an overwhelming quantity of visual information - brought on by major changes in image production and circulation - resonates with our own.
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L'Ukiyo-e (« images du monde flottant ») est un courant artistique japonais qui naquit pendant la période prospère d'Edo (1615-1868). Caractéristiques de cette période, les estampes sont l'œuvre collective d'un artiste, d'un graveur et d'un imprimeur. Développées en raison de leur faible coût grâce à l'évolution de la technique, elles représentent la vie quotidienne, les femmes, les acteurs du théâtre kabuki ou encore les lutteurs de sumo. Le paysage s'imposera ensuite comme l'un des sujets favoris. Moronobu, le fondateur, Shunsho, Utamaro, Hokusai ou encore Hiroshige sont les artistes les pl
Ukiyoe. --- Ukiyoe --- Prints, Japanese. --- Color prints, Japanese --- Wood-engraving, Japanese. --- Wood-engraving, Japanese --- Hashirae --- Pillar prints (Ukiyoe) --- Ukioye --- Ukiyo-e --- Genre painting --- Painting, Japanese --- Japanese wood-engraving --- Japanese color prints --- Japanese prints
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"The book traces major concepts including: the creation of the visual effects of accuracy through careful action and training; the development of visual judgment and connoisseurship; the role of a network in the production of knowledge; balancing readers' expectations with representational conventions; and the effects of acts of collecting on the creation and circulation of knowledge. On the one hand, this study uncovers that approaches to knowledge production were different in the seventeenth century, as compared with in the twenty-first century. On the other, it reveals how the early modern struggle to sort through an overwhelming quantity of visual information - brought on by major changes in image production and circulation - resonates with our own." --
Theory of knowledge --- anno 1500-1799 --- England --- ART / Techniques / Drawing. --- Arts anglais --- Arts, English --- Arts, English. --- Engraving, English --- Engraving, English. --- Gravure anglaise --- 1600-1699.
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Book history --- Graphic arts --- woodcutters [printmakers] --- anno 1400-1499 --- Belgium --- Netherlands --- Wood-engraving, Renaissance --- Wood-engravers --- Wood-engravers, Flemish --- Wood-engraving --- History --- 761 <492> --- 761 <493> --- 092 --- 76 <492/493> "14" --- -Wood-engraving, Renaissance --- -Wood-engravers --- -Wood-engravers, Flemish --- Engravers --- Printmakers --- Renaissance wood-engraving --- Wood-cut --- Wood-cutting (Engraving) --- Wood-engravings --- Woodcut --- Woodcutting (Engraving) --- Xylography --- Engraving --- Prints --- Block books --- Block printing --- Hoogdruktechnieken in de grafische kunst--Nederland --- Hoogdruktechnieken in de grafische kunst--België --- Blokboeken --- Grafische kunsten. Grafiek. Prentkunst--De Nederlanden--15e eeuw. Periode 1400-1499 --- History. --- 76 <492/493> "14" Grafische kunsten. Grafiek. Prentkunst--De Nederlanden--15e eeuw. Periode 1400-1499 --- 092 Blokboeken --- 761 <493> Hoogdruktechnieken in de grafische kunst--België --- 761 <492> Hoogdruktechnieken in de grafische kunst--Nederland --- book history --- Wood-engraving, Renaissance - Netherlands - History --- Wood-engravers - Netherlands --- Wood-engraving - Belgium --- Gravure sur bois neerlandaise --- Livres illustres --- 15e siecle --- 15e-16e siecles
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A fundamental component of the study of worked osseous objects is the identification of the raw materials chosen to make them. In archaeological contexts many objects become degraded to the point where identification is very difficult and the way in which these materials decay during burial and upon excavation can vary greatly. Correct identification is crucial to the investigation of objects, their conservation and future curation. Above all, understanding raw material selection aids our understanding of human-animal interaction in the past both on pragmatic and symbolic levels since the choi
Bone implements, Prehistoric --- Bone carving, Prehistoric --- Tools, Prehistoric --- Art, Prehistoric --- Excavations (Archaeology) --- Prehistoric art --- Art, Primitive --- Implements, Prehistoric --- Implements, utensils, etc., Prehistoric --- Prehistoric implements --- Prehistoric tools --- Bone engraving, Prehistoric --- Prehistoric bone carving --- Prehistoric bone engraving --- Industries, Prehistoric --- Prehistoric bone implements
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Publishers and publishing --- Print dealers --- Art patrons --- Art publishing --- Illustrated books --- Engraving --- Art patronage --- English poetry --- History --- Publishing --- Printing --- Illustrations. --- Macklin, Thomas. --- Bible --- Patrons, Art --- Benefactors --- Art dealers --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- English literature --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- Copper engraving --- Engravings --- Line-engraving --- Siderography --- Steel-engraving --- Graphic arts --- Prints --- Etching --- Art --- Macklin, T. --- Macklin, --- Macklin
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